401. Close Encounters of the Third Kind
For my final podcast, I look at how Steven Spielberg effectively remade his first feature, Firelight to deliver a message of hope.
For my final podcast, I look at how Steven Spielberg effectively remade his first feature, Firelight to deliver a message of hope.
How did a blasphemous, homosexual, Marxist, atheist manage to make the greatest film about the life of Jesus Christ?
In adapting Karen Blixen’s short story, Gabriel Axel chose to omit the politics and focus on the religious parable. But really, it works best as a recipe for life.
There is only one time to tell Margaret Atwood’s novel, The Handmaid’s Tale. Right now. Which means always.
If you need three things to make a good film; a good script, a good script and a good script, how did Nicolas Roeg make a masterpiece from just fourteen pages?
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have more than just an image.
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
GoodFellas is more than just a breathless tale of middle-management in the Mafia. It’s one of Martin Scorsese’s many films in which he seeks enlightenment.
One of the most original screenplays to ever emerge from Hollywood, this seriously funny comedy ponders the very meaning of our existence.
How do you make a film relating your experiences of the Islamic Revolution in Iran? If you’re Marjane Satrapi you use animation to tackle the subject.
Because The Terminator is not about a cyborg but a resilient woman, James Cameron’s landmark film presented him as a unique feminist.
Just how long does it take to write an Oscar-winning screenplay? In the case of Witness, it was 13 years. But how many drafts did it take and how many writers?
Ian McEwan’s novel was always going to be a tough nut to crack, but Joe Wright and Christopher Hampton delivered a modern classic of a tragic tale.
This video-essay examines Steven Spielberg’s career, from his days in television up until War Horse, and shows how he uses the disciplines of cinema to secure specific emotional responses.
Based on a 1971 best-selling novel that was inspired by a real-life case of demonic possession said to have occurred in 1949, is this really the scariest film ever made?
Robocop is now a quarter of a century old. With a remake soon to be released, we ask is Paul Verhoeven’s original beginning to rust?
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