247. The Killers (1946)
Ernest Hemingway hated what Hollywood did with his novels. The only film of his work he liked was this classic adaptation of his celebrated short story.
Ernest Hemingway hated what Hollywood did with his novels. The only film of his work he liked was this classic adaptation of his celebrated short story.
If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
Robert Altman’s best films capture cultures in transition. Nashville marked the moment politics and celebrity intermingled to create space for Donald Trump.
Like the novel, Revolutionary Road so probed its subject audiences stayed away. Their loss. It is Sam Mendes’ best film.
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