377. Mindhunter
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
Bong Joon-Ho embraced every cliché of the serial killer genre to examine masculinity, institutional repression and national identity.
When a film breaks with tradition, it is often rejected by audiences. Which may be why Zodiac was not initially recognised as the groundbreaking masterpiece it is.
Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.
Mention Se7en and chances are talk will lead to the head in the box. But while that makes the ending so unforgettable, it’s also the film’s biggest problem.
This video-essay on Jonathan Demme’s The Silence of the Lambs examines the phenomenon of looking and shows how central it is to the horror genre.
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