Tag Archives: Sound

Mon Oncle

Writing, producing, directing and starring in his own films Jacques Tati was a true auteur, influencing the likes of David Lynch, Tim Burton and Wes Anderson.

Yi Yi

As the title to Edward Yang’s masterpiece indicates, Yi Yi is a series of doubles; narrative, thematic, visual and aural, that deliver a subtle family portrait.

Die Hard

What makes a classic film? The plot’s originality, director’s vision, or the star’s magnetism? Paradoxically, any, all, yet none of the above. It’s the audience.

Battleship Potemkin

Sergei Eisenstein devised montage for black and white and silent film. How have the elements of sound, colour and digital cinema extended his theories?

Blow Out

Rear Window, Vertigo, Blowup, Weekend, the Zapruder film and The Conversation are all to be seen and heard in Brian De Palma’s Blow Out.

Bonnie and Clyde

When great art heralds great change, it often experiences a difficult birth. Bonnie and Clyde is a seminal moment in American film that almost never happened.

Great Openings – Part One

What makes for a great opening? Character? Conflict? Poetry? Hopefully, more than something we’re supposed to just look at.

Dreams

If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.

Great Sounds – Part Three

The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.

Great Sounds – Part Two

The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.

Great Sounds – Part One

The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.

M

In terms of genre, few films are as influential film as Fritz Lang’s M. Where would The French Connection, LA Confidential and Se7en be without it?

Citizen Kane

Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?

The Night Of

In adapting Peter Moffat’s original BBC series, how did Steven Zaillian and Richard Price turn it from a legal thriller into a social drama?

The Most Influential Films Ever Made – Part Two

The films that really changed the course of cinema are often ones few people have seen.

Reel Space/Time – Part One

In his Poetics, Aristotle wrote that drama needs a unity of space, time and action. How does cinema deal with such restrictions?

All The President’s Men

This Oscar winning adaptation of Woodward and Bernstein’s book is one of the great masterpieces of American cinema.

Wuthering Heights

Emily Brontë’s classic romance has been filmed over 25 times. Have any been faithful? Where is the line between interpretation and desecration?

The King’s Speech

The King’s Speech is about two men talking, yet the film’s real strength lies in the way it uses sound to tell us one thing while the pictures show us another.

Three Days of the Condor

Adapting James Grady’s straight forward thriller, Sydney Pollack delivered a commentary on dehumanising institutions.

Jaws

For all the fun stories and anecdotes about how the shark didn’t work, none of them help explain how Steven Spielberg managed to deliver a masterpiece.

The Conversation

He may be responsible for The Godfather pictures and Apocalypse Now, but Francis Ford Coppola maintains his best film is The Conversation.

Christopher Nolan’s Mementos

He may makes blockbusters, but Christopher Nolan’s tastes lean more to art house cinema. So what are his films really about?

Bullitt

With Steve McQueen in the title role, a legendary car-chase and a score by Lalo Schifrin, Peter Yates’ Bullitt still oozes as much cool now as it did in 1968.

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