Best known for his crime dramas, Martin Scorsese’s adaptation of Edith Wharton’s romantic novel, The Age of Innocence is one of his most incisive works.
Tag Archives: Taxi Driver
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have something that amounts to more than just an image.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
Thirty-five years old, Spielberg’s classic was inspired by more than just the Saturday matinee serials he watched as a child.
William Friedkin’s Oscar-winner may be a gritty thriller but it owes an enormous debt to a classic of 19th century American literature.
GoodFellas is more than just a breathless tale of middle-management in the Mafia. It’s one of Martin Scorsese’s many films in which he seeks enlightenment.
To make a masterpiece about greed, media manipulation and McCarthyism, you hire a director whose background is in comedy.
The Searchers is both a cinematic monument and an extremely unsettling depiction of the racism that lies at the heart of America’s own mythology.
Earning 5 Oscar nominations and $600m around the globe, the success (and controversy) of Fatal Attraction should be squarely laid at the feet of its producers.
In a career featuring several masterpieces, Raging Bull is considered Martin Scorsese’s greatest achievement. But what did he achieve in making it?
Gravity was one of last year’s biggest hits ($650m). But how much of that is due to critics giving it 98% approval? Is word of mouth more valuable?
This video-essay celebrates the career of Martin Scorsese, showing how he has taken cinema as a means of telling stories and expanded it as a means of personal expression.
Before the Devil wore Prada, there was Working Girl, a fairytale in New York about big hair, big shoulder pads and even bigger dreams.
This video-essay on Ridley Scott’s Blade Runner examines the unique ways in which the film visualizes its numerous and seemingly disparate themes of urbanity, ecology, identity and mortality.
Unforgiven was only the third western to win the Oscar for Best Picture. Despite the small field, that doesn’t stop it from being an American classic.
1969 was an important year for the western, with Midnight Cowboy standing as a highly original addition to, and departure from, the genre.