Cries and Whispers
Cries and Whispers was Ingmar Bergman’s fourth colour film but with a palette of just black, white and red, he still painted deep emotions and vivid dreams.
Cries and Whispers was Ingmar Bergman’s fourth colour film but with a palette of just black, white and red, he still painted deep emotions and vivid dreams.
Released in 1971, critics bracketed Robert Altman’s McCabe and Mrs. Miller as a revisionist western. Truth is, the western has always been revising itself.
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
Alec Guinness, Peter Sellers and Herbert Lom may star, yet it is Katie Johnson who gives one of cinema’s greatest ever comedic performances.
Francois Truffaut once claimed ‘cinema’ and ‘Britain’ were incompatible. Powell and Pressburger proved him wrong.
If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
The films that really changed the course of cinema are often the ones few people have seen.
John Ford made so many great westerns, he is synonymous with the genre. But that doesn’t mean he always got everything right.
Synchronized sound arrived in 1927. But the theaters were far from silent before that and perhaps something was lost with the coming of the new technology.
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