327. The Godfather
Regarded as the greatest gangster picture of them all, the passing years continue to reveal new layers and meanings in Francis Ford Coppola’s masterpiece.
Regarded as the greatest gangster picture of them all, the passing years continue to reveal new layers and meanings in Francis Ford Coppola’s masterpiece.
When we think of American cinema in the seventies, all too often we all too quickly think of the great directors. But what of the cinematograph-auteurs?
Terrence Malick’s first feature is not just one of the greatest debuts in the history of American cinema, Badlands also succeeded in redirecting screen violence.
Ernest Hemingway hated what Hollywood did with his novels. The only film of his work he liked was this classic adaptation of his celebrated short story.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Originally pitched as a simple story of revenge, under Alejandro Inarritu’s direction The Revenant became a journey of spiritual release.
Written by Ben Affleck and Matt Damon to launch their acting careers, the studio wanted Leonardo DiCaprio and Brad Pitt.
Regarded as a poet of cinema, Terrence Malick’s films have rarely connected with audiences. Has he been ahead of his time or is he now running out of it?
By no means the first teen-drama, The Breakfast Club is not just a landmark film for teenagers. It’s essential viewing for adults and teachers as well.
‘Dirty Harry and the homicidal maniac. Harry’s the one with the badge.’ With a tag-line like that, no wonder the film has been the subject of controversy.
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