387. The Third Man
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
All boring films are alike; every great film is great in its own way. Christopher Nolan’s Dunkirk belongs not just to the latter but amongst the greatest ever made.
David Lean’s enduring masterpiece is a rare breed; an epic but also a portrait that refuses to explain its enigmatic subject.
Once dismissed as parochial and passé, the influence of David Lean’s classic can be seen in such unlikely places as The Third Man, The Godfather and Carol.
With this Oscar winning classic, David Lean stopped being an ‘English filmmaker’ and became an ‘international star director’.
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