The Dark Side of the Screen
Although it can be traced to German Expressionism and French Poetic-Realism, Film Noir is quintessentially an American idiom. Not a genre but a mood, it centres on fatalistic dread.
Although it can be traced to German Expressionism and French Poetic-Realism, Film Noir is quintessentially an American idiom. Not a genre but a mood, it centres on fatalistic dread.
This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.
Alec Guinness, Peter Sellers and Herbert Lom may star, but Katie Johnson gives one of cinema’s greatest comedic performances.
Described as the most evil film ever made, Henri George Clouzot’s masterpiece resembles Hemingway, Hitchcock, neo-realism and Casablanca.
Jean-Pierre Melville’s masterpiece is so influential, even if you haven’t seen it… you have seen it because you’ve seen dozens of films influenced by it.
Until 1964, Stanley Kubrick had suffered years of set-backs, disappointments and frustration. But he made his reputation with this satire on nuclear war.
Stanley Kubrick’s adaptation of Humphrey Cobb’s novel was not shown in France for three decades and despite the passing years, it still has the power to shock.
Quentin Tarantino exploded onto the screen 20 years ago and in the time since, he has had but one crucial collaborator; his editor Sally Menke.
John Boorman’s first film in America brought a very distinctive and European look to the hardened Hollywood gangster genre.
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