392. Un prophète
This French masterpiece avoids all the clichés of American prison films while at the same time bearing an uncanny similarity to a 1960s’ Japanese action picture.
This French masterpiece avoids all the clichés of American prison films while at the same time bearing an uncanny similarity to a 1960s’ Japanese action picture.
Robert Bresson’s masterpiece is a perfect example of less is more; natural acting, minimal music, off-screen sounds and restricting yourself to a 50mm lens.
For thousands of years, drama theorists from Aristotle to Robert McKee have been telling writers that plot is everything. But is that all there is to drama?
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
Written by Ben Affleck and Matt Damon to launch their acting careers, the studio wanted Leonardo DiCaprio and Brad Pitt.
When it was released, Fight Club was rubbished by critics and rejected by audiences. Now it’s regarded as a masterpiece. So what changed people’s minds?
With so many faiths being practiced in America, Hollywood knows better than to show people praying. As a result, ‘religion’ is found in some unexpected places.
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