377. Mindhunter
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
In Carl Theodor Dreyer’s silent masterpiece, the story isn’t so much told through the Saint’s eyes as it is read on her face.
This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.
This short video-essay position Ingmar Bergman’s Persona in terms of what came after it and what went before. It shows how Bergman visualised his central theme of identity.
Ever wondered where snow comes from? That and other wonders – and horrors – live inside Tim Burton’s classic.
Yes, Daniel Plainview is unlikable. But where is it written that characters have to be nice? They only have to be interesting.
Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.
When great art heralds great change, it often experiences a difficult birth. Bonnie and Clyde is a seminal moment in American film that almost never happened.
The Oscar-winning Thelma & Louise was released in 1991 to a storm of controversy. Did it warrant it then and does it hold up to scrutiny now?
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
In terms of genre, few films are as influential film as Fritz Lang’s M. Where would The French Connection, LA Confidential and Se7en be without it?
Mention Se7en and chances are talk will lead to the head in the box. But while that makes the ending so unforgettable, it’s also the film’s biggest problem.
It may have been controversial when it was released twenty years ago, but if ever there were a need for such a film it is right now.
How do you make a film about a character who can neither move nor speak, but can only blink his left eye?
Jonathan Glazer’s film is one of the most assured debuts in cinema history. But the film has another entrance that also stands with the best of them.
Most action films are fuelled by testosterone. But Fury Road has so much estrogen coursing in its engines, let’s call it Mad Maxine.
Nicolas Winding Refn’s film focuses on Ryan Gosling’s nameless getaway driver. But its best scene involves a vehicle of an entirely different kind.
When it was released, Fight Club was rubbished by critics and rejected by audiences. Now it’s regarded as a masterpiece. So what changed people’s minds?
Originally, surrealism set out to shock. But it has become such a normal element in cinema, has it lost its original power?
The Coen Brothers won the Palme d’Or at the 1991 Cannes Film Festival with this sardonic look at Hollywood. But is that what it is really about?
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