344. The Double Life of Veronique
Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.
Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.
With his Palme d’Or winning masterpiece, Jacques Demy wove more than a musical. He delivered a socially relevant story worthy of tragic opera.
“Show me the money.” “Shut up, you had me at hello.” For such a quotable film, Jerry Maguire’s most important line is “Fewer clients. Less money.”
James Cameron took a risk in tackling a sequel to Ridley Scott’s Alien. But his follow-up added other elements to the sci-fi/horror: action, adventure and all out war.
Because The Terminator is not about a cyborg but a resilient woman, James Cameron’s landmark film presented him as a unique feminist.
Lyrical language and elliptical plotting can work in a novel, but not necessarily in cinema. Does The English Patient succeed?
When is a remake not a remake? When is a re-imagining not a reboot? And most pertinent, when are any of them ever any good?
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