276. Le Mépris
When it comes to making movies about making movies, many directors choose to venerate the medium. Not Jean-Luc Godard. He treats it with contempt.
When it comes to making movies about making movies, many directors choose to venerate the medium. Not Jean-Luc Godard. He treats it with contempt.
Orson Welles is often referred to as a glistening talent who wasted his early promise. Touch of Evil, the last film he made in America, proves otherwise.
For all the fun stories and anecdotes about how the shark didn’t work, none of them help explain how Steven Spielberg managed to deliver a masterpiece.
Nicolas Winding Refn’s film focuses on Ryan Gosling’s nameless getaway driver. But its best scene involves a vehicle of an entirely different kind.
Written by Ben Affleck and Matt Damon to launch their acting careers, the studio wanted Leonardo DiCaprio and Brad Pitt.
With young audiences off from school, Hollywood knows there is more money to be made in the summer than at any other time.
Brazil is Terry Gilliam’s masterpiece. But when he first showed it to the studio, they didn’t know what to make of it. So they decided not to release it.
The Bourne Trilogy was a shot in the arm to the action genre and each new installment raised the expectation as to what an action picture can do and say.
The original Scarface was released in 1932. In 1983, Brian De Palma directed Al Pacino in an update scripted by Oliver Stone. Are ‘remakes’ always bad?
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