352. Roma
Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.
Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.
Most films about childhood are often nostalgic. Louis Malle’s masterful auto-biopic is about loss of an unfathomable kind.
Intersectionality, hyperlink cinema and cinema diaspora are some terms you can apply to Monsoon Wedding. Another is #MeToo.
First seen as a critique of Thatcherism, this now lives in the era of MeToo and Time’s Up.
Elio Petri’s bitterly satirical Oscar winner from 1970 cuts a stark picture of today’s political leaders.
The impact of Gillo Pontecorvo’s masterpiece is so great that it extends far beyond cinema and into terrorist organisations, as well as the US Pentagon.
Reviled and banned upon its release, then feared lost forever, Jean Renoir’s masterpiece stands today as a victory for liberalism.
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
On the surface Yasujiro Ozu’s examination of family life in post-war Japan may sound simple, but what he delivered is one of cinema’s supreme achievements.
Copyright © 2025 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes