The Gordon Willis Frame
Gordon Willis was one of cinema’s greatest artists. Regardless of genre, his style and technique were so singular he should be regarded as a cinematrograph-auteur.
Gordon Willis was one of cinema’s greatest artists. Regardless of genre, his style and technique were so singular he should be regarded as a cinematrograph-auteur.
Matteo Garrone’s adaptation of Roberto Saviano’s book on the Neapolitan camorra smacks down the innumerable movies that have marketed the Mafia mythology.
Critics have long called Robert Altman’s 1971 picture a revisionist western. Truth is, the western has always been revising itself.
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
As the US embraced Reaganomics and Hollywood found the formula for the modern blockbuster, Warren Beatty embarked on a project examining the origins of American communism.
When great art heralds great change, it often experiences a difficult birth. Bonnie and Clyde is a seminal moment in American film that almost never happened.
All films begin at a keyboard. But whether the film is about screenwriters, journalists, novelists or composers, how does cinema depict the art of writing?
Adapted from Loren Singer’s poorly reviewed best seller, Alan J. Pakula’s conspiracy thriller is a classic of assured pacing and paranoia.
Written by Ben Affleck and Matt Damon to launch their acting careers, the studio wanted Leonardo DiCaprio and Brad Pitt.
By no means the first teen-drama, The Breakfast Club is not just a landmark film for teenagers. It’s essential viewing for adults and teachers as well.
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