389. The Insider
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
With his Palme d’Or winning debut, Steven Soderbergh made a modern classic as well as a how-to manual for film students.
Writing, producing, directing and starring in his own films Jacques Tati was a true auteur, influencing the likes of David Lynch, Tim Burton and Wes Anderson.
Once “too revolutionary”, Dziga Vertov’s avant-garde masterpiece is now felt in Man on Fire, Ratatouille and Inception.
For all its groundbreaking effects and narrative innovation, this owes a debt to a romantic fantasy and a Soviet propaganda film.
Released in 1950, Max Ophuls’ adaptation of Arthur Schnitzler’s scandalous play is a landmark exhibition of theme and style operating in perfect harmony.
It is incorrectly assumed that Steven Spielberg turned Stanley Kubrick’s dark story into another of his child-friendly fantasies.
On the surface Yasujiro Ozu’s examination of family life in post-war Japan may sound simple, but what he delivered is one of cinema’s supreme achievements.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
David Lynch’s shocking and mesmerising look at suburbia’s underbelly also showed he could turn popular music into a nightmare.
Critics often chide Steven Spielberg for inappropriate optimism and not knowing when to end his films. They should reconsider Minority Report.
Major Tom, Ziggy Stardust or The Thin White Duke. Who was David Bowie is the wrong question to ask. Much better to ponder on what he made and why.
It took Jonathan Glazer over ten years to bring Under the Skin to the screen, but with that long gestation he might just have delivered the film of the decade.
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