355. Tinker Tailor Soldier Spy
If such an inscrutable character sits at the heart of John Le Carré’s labyrinthine plot, how is the adaptation such a lucid film?
If such an inscrutable character sits at the heart of John Le Carré’s labyrinthine plot, how is the adaptation such a lucid film?
How important is a film’s title? Would this film have been such a huge hit had it been called Girls In Big White Dresses?
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