The Third Man
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
Tag Archives: Lawrence of Arabia
Singin’ in the Rain
Almost seventy years young, this Hollywood masterpiece remains in perfect condition and for our modern age, offers up unexpected and pertinent meaning.
Mindhunter
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
The Ladykillers (1955)
Alec Guinness, Peter Sellers and Herbert Lom may star, yet it is Katie Johnson who gives one of cinema’s greatest ever comedic performances.
Deliverance
When we think of American cinema in the seventies, all too often we all too quickly think of the great directors. But what of the cinematograph-auteurs?
Lawrence of Arabia
David Lean’s most enduring masterpiece is the rarest of breeds. An epic that is also a portrait, it somehow avoids all temptations to explain its enigmatic subject.
Raiders of the Lost Ark
Thirty-five years old, Spielberg’s classic was inspired by more than just the Saturday matinee serials he watched as a child.
Reel Space/Time – Part Two
In his Poetics, Aristotle wrote that drama needs a unity of space, time and action. How does cinema deal with such restrictions?
Brief Encounter
Once dismissed as parochial and passé, the influence of David Lean’s classic can be seen in such unlikely places as The Third Man, The Godfather and Carol.
Three Days of the Condor
Adapting James Grady’s straight forward thriller, Sydney Pollack delivered a commentary on dehumanising institutions.
Sexy Beast
Jonathan Glazer’s film is one of the most assured debuts in cinema history. But the film has another entrance that also stands with the best of them.
The Bridge on the River Kwai
With this Oscar winning classic, David Lean stopped being an ‘English filmmaker’ and became an ‘international star director’.
The Searchers
The Searchers is both a cinematic monument and an extremely unsettling depiction of the racism that lies at the heart of America’s own mythology.
Once Upon a Time in the West
Sergio Leone’s masterpiece doesn’t only reference American westerns. He also drew inspiration from an English film.
Doctor Zhivago
David Lean’s film of Boris Pasternack’s Nobel Prize Winning Novel whittled the sprawling epic down to a simple love story. Was it successful?
Peter Weir – Master and Commander
Peter Weir: 6 Oscar nominations, no wins. No other living director has been so denied the statuette. Does it matter?
The English Patient
Lyrical language and elliptical plotting can work in a novel, but don’t necessarily make for good films. Does The English Patient succeed?
Love & War
This video-essay examines the dual themes of love and war in epic cinema. Using the epic as their canvas, great filmmakers tell great stories that convey not just the enormous sweep of history, but also capture the human spirit.
Spielberg’s Techniques
This video-essay examines Steven Spielberg’s career, from his days in television up until War Horse, and shows how he uses the disciplines of cinema to secure specific emotional responses.
Point Blank
John Boorman’s first film in America brought a very distinctive and European look to the hardened Hollywood gangster genre.
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Steven Benedict (StevenBenedict2)
Award-winning filmmaker. Podcaster, broadcaster, author and lecturer. I'm downloading the universe one app at a time.
Dublin, Ireland
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