Tag Archives: Rear Window

The Godfather Trilogy

Adapting Mario Puzo’s best-selling novel, Francis Ford Coppola drew up several themes lying dormant within its pages and augmented them in a uniquely cinematic fashion to create a masterful saga.

The Hitchcock Gallery

This short video-essay compares various themes and techniques that Alfred Hitchcock developed over his career. With 40 titles, it includes every feature film Hitchcock made from 1934 through to his retirement in 1976.

377. Mindhunter

Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.

Kubrick – Before and After

This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.

369. North by Northwest

If small details are the important, this is really about a woman’s quest for significance and a man’s need for a make-over.

356. Hidden

Michael Haneke asks audiences difficult questions yet never provides easy answers. When he calls his film Hidden, can we expect anything different?

303. Blowup

Originally titled A Girl, a Photographer and a Beautiful April Morning, Michelangelo Antonioni’s Palme d’Or winner is still as enigmatic fifty years on.

279. Vertigo

Is Hitchcock’s Vertigo really the greatest film ever made? Certainly, it is a compilation of his many themes and tropes, as well as a critique on cinema itself.

263. Cyrano de Bergerac

Why did Edmond Rostand base his play on a real-life historical figure, only to turn his writing talent into a tragedy?

250. Slow-Motion

Once considered avant-garde, slow-motion is now the mainstay of every action film. Here are some of the best and most innovative uses of the technique.

196. Blue Velvet

David Lynch’s shocking and mesmerising look at suburbia’s underbelly also showed he could turn popular music into a nightmare.

168. Rear Window

He was called The Master of Suspense (a title he coined himself), but for all the thrills did Alfred Hitchcock not make rom-coms wrapped inside mysteries?

137. Fatal Attraction

Earning 5 Oscar nominations and $600m around the globe, the success (and controversy) of Fatal Attraction should be squarely laid at the feet of its producers.


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