Cries and Whispers
Cries and Whispers was Ingmar Bergman’s fourth colour film but with a palette of just black, white and red, he still painted deep emotions and vivid dreams.
Cries and Whispers was Ingmar Bergman’s fourth colour film but with a palette of just black, white and red, he still painted deep emotions and vivid dreams.
For all of 2001’s groundbreaking special effects and narrative innovation, Stanley Kubrick owes a bit of debt to a romantic fantasy and a Soviet propaganda film.
Sergei Eisenstein devised montage for black and white and silent film. How have the elements of sound, colour and digital cinema extended his theories?
First seen as an eviscerating critique of Thatcherism, 30 years on it belongs with the MeToo and Time’s Up movements.
In The Marriage of Maria Braun, Rainer Werner Fassbinder mixed Hollywood melodrama, historical drama and political indictment.
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