Archive for March, 2019

355. Tinker Tailor Soldier Spy

If such an inscrutable character sits at the heart of John Le Carré’s labyrinthine plot, how is the adaptation such a lucid film?

354. Let The Right One In

The vampire genre is ripe with themes; sexuality, feminism, xenophobia, disease, yet Let The Right One In broke new ground.

353. Gravity

For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?

352. Roma

Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.

Persona – After and Before

This short video-essay position Ingmar Bergman’s Persona in terms of what came after it and what went before. It shows how Bergman visualised his central theme of identity.

351. Heat

Ever since its release in 1995, Heat has been held as the greatest ever heist movie. But it has another, completely different film living and dying inside of it.


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