Archive for May, 2019

363. Arrival

No matter how cinematic, all films are nothing more than a form of writing that borrows from other forms of writing. Which is why Arrival comes in code.

362. Last Tango in Paris

There are several good reasons to watch Bernardo Bertolucci’s controversial drama. Not all of them make for palatable viewing.

361. Ex Machina

What if science-fiction were not a literary genre but a political and ideological theory. If so, Alex Garland uses Ex Machina to show us how he sees the world.

360. Waltz with Bashir

Ari Folman’s animated documentary is different from many other films about trauma. But it is only in its final moments that it reveal its most telling truth.


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