377. Mindhunter
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.
Tom Wolfe’s superb account about the early days of NASA’s space program needed filmmakers who shared a daring similar to the maverick pilots.
Ari Folman’s animated documentary is different from many other films about trauma. But it is only in its final moments that it reveal its most telling truth.
In adapting Stephen King’s best-seller, Stanley Kubrick drew on a genre other than horror and used a new motif that he would repeat for the rest of his career.
Many great auteurs use similar styles to explore similar themes as lesser filmmakers. The only real difference is that great auteurs are more consistent and precise.
Upon its release, it seemed that Easy Rider typified the spirit of the nineteen-sixties. But it really should be viewed as the first film of the seventies.
Kubrick’s controversial film remains relevant because of the Ludovico Technique’s conversion therapy: Pray Away the Gay.
With his Palme d’Or winning masterpiece, Jacques Demy wove more than a musical. He delivered a socially relevant story worthy of tragic opera.
All boring films are alike; every great film is great in its own way. Christopher Nolan’s Dunkirk belongs not just to the latter but amongst the greatest ever made.
It is incorrectly assumed that Steven Spielberg turned Stanley Kubrick’s dark story into another of his child-friendly fantasies.
This extended video-essay charts the development and possible future of the America movie trailer. Beginning in 1912, taking in the coming of television and suggesting where it might go in the age of the internet.
Kathryn Bigelow did not just make history when she became the first woman to win an Oscar for directing. She also made a landmark war film.
Stanley Kubrick’s most awarded film is the one that Martin Scorsese says was his best. Ridley Scott worships it. So why is it so seldom seen?
How much does the Pentagon help Hollywood? Is Hollywood just the Pentagon’s mouthpiece?
Copyright © 2024 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes