379. Midnight Cowboy
Released in 1969, Midnight Cowboy mixes avant-garde with mythology to examine male identity, intimacy, sexuality and trauma.
Released in 1969, Midnight Cowboy mixes avant-garde with mythology to examine male identity, intimacy, sexuality and trauma.
In Carl Theodor Dreyer’s silent masterpiece, the story isn’t so much told through the Saint’s eyes as it is read on her face.
This Oscar winning adaptation of Woodward and Bernstein’s book is one of the great masterpieces of American cinema.
Is it possible to put a new twist on a formula as old as the rom-com? Getting Amy Schumer to write the script and Judd Apatow to direct certainly gives you a head start.
Gordon Willis was one of cinema’s greatest artists. Irrespective of genre: comedy, drama, thriller, musical or gangster picture, his style and technique was so unmistakable he should have been called a cinematrograph-auteur.
Without question, Mike Nichols was one of America’s most feted entertainers. But how did he manage to break new ground and tell such compelling stories?
Tootsie tackled 1980s’ chauvanism by disguising a man as a woman. Hilarious as it was, the tradition can be traced as far back as Homer’s Illiad.
Is this film about amnesia or is it about déjà vu? Either way, Charlie Kaufman’s script which focuses on memory is a true original.
The Graduate has long been regarded only in terms of Benjamin Braddock’s affair with Mrs. Robinson. But what does it tell us about Elaine Robinson?
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