Tag Archives: genre

Memories of Murder

By embracing every cliché of Hollywood’s serial killer genre, Bong Joon-Ho examined masculinity, institutional repression and national identity.

The Shining

In adapting Stephen King’s best-seller, Stanley Kubrick drew on a genre other than horror and used a new motif that he would repeat for the rest of his career.

Hidden

Michael Haneke asks audiences difficult questions yet never provides easy answers. When he calls his film Hidden, can we expect anything different?

The Double Life of Veronique

Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.

Cold War

Despite its title, Cold War is not an espionage thriller. Instead, Pawel Pawlikowski loosely based it on his parents’ lives. But it’s not a biopic either. So what is it?

No Country for Old Men

While Cormac McCarthy’s acclaimed novel broke genre convention, the Coens’ adaptation is a study in audiovisual chaos.

The Assassination of Jesse James by the Coward Robert Ford

This western opened new frontiers for the genre; celebrity and post-traumatic stress disorder.

La Belle et la Bête

Fairytales transcend not just generations but cultures. Which may explain why La Belle et la Bête exists in so many guises and confronts so many issues.

Zodiac

When a film breaks with tradition, it is often rejected by audiences. Which may be why Zodiac was not initially recognised as the groundbreaking masterpiece it is.

Nosferatu

Long before it was revered as a masterpiece, F.W. Murnau’s radical reimagining of Bram Stoker’s classic vampire novel had to be saved from the furnaces.

The Marriage of Maria Braun

In The Marriage of Maria Braun, Rainer Werner Fassbinder mixed Hollywood melodrama, historical drama and political indictment.

McCabe & Mrs. Miller

Released in 1971, critics bracketed Robert Altman’s McCabe and Mrs. Miller as a revisionist western. Truth is, the western has always been revising itself.

Easy Rider

Upon its release, it seemed that Easy Rider typified the spirit of the nineteen-sixties. But it really should be viewed as the first film of the seventies.

Festen

William Shakespeare, Sigmund Freud, Ingmar Bergman and John Cassavetes are just some of the disparate influences on view in Thomas Vinterberg’s masterpiece.

The Silence of the Lambs

Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.

The Handmaid’s Tale

Hulu’s adaptation of Margaret Atwood’s novel, The Handmaid’s Tale has been described as timely. But there is only one time to tell it: right now. Which means always.

The Cabinet of Dr. Caligari

The Cabinet of Dr. Caligari’s influence is so great it reaches far beyond horror and into sci-fi, thrillers, and historical romances.

A.I.: Artificial Intelligence

It is incorrectly assumed that Steven Spielberg turned Stanley Kubrick’s dark story into another of his child-friendly fantasies.

Cabaret

Before it was adapted into a film, Cabaret was a memoir, a short story, a play and a Broadway musical. Released in 1972, it now serves as a history lesson.

All About My Mother

Once dismissed as The King of Kitsch, Pedro Almodovar has since become a laureate of liberalism. This masterpiece from 1999 was the turning point.

Great Shots – Part Two

What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have something more than just an image.

The Maltese Falcon

John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation of the hard-boiled mystery. How did he succeed where others had failed?

Chinatown

Chinatown is often referred to as film noir. But lacking a dark look and a femme fatale, it is the rarest of Hollywood’s breeds; a true tragedy.

Nashville

Robert Altman’s best films capture cultures in transition. Nashville marked the moment politics and celebrity intermingled to create space for Donald Trump.

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