395. The Conversation
It is said a film is made three times; writing, filming and editing. In which case, editor Walter Murch deserves enormous credit for this masterpiece.
It is said a film is made three times; writing, filming and editing. In which case, editor Walter Murch deserves enormous credit for this masterpiece.
Despite its title, Cold War is not an espionage thriller. Instead, Pawel Pawlikowski loosely based it on his parents’ lives. But it’s not a biopic either. So what is it?
If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
Adapted from Loren Singer’s poorly reviewed best seller, Alan J. Pakula’s conspiracy thriller is a classic of assured pacing and paranoia.
Christopher Nolan’s time-warping mind-bending classic left many audiences very confused. But the director left more than enough clues to make sense of it.
Ken Kesey’s story of social oppression was inspired by the CIA program, MKUltra. Did the film retain the novel’s rage?
Some films generate controversy, but Alan Parker’s Angel Heart was creating quite a stir even before it was released. Was it worth the trouble?
The Graduate has long been regarded only in terms of Benjamin Braddock’s affair with Mrs. Robinson. But what does it tell us about Elaine Robinson?
Half a century old, how well is John Frankenheimer’s adaptation of Richard Condon’s best-selling conspiracy thriller holding up?
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