103. The Talented Mr. Ripley
The 1960 adaptation of Patricia Highsmith’s novel was already so revered, was Anthony Minghella wise to try a new version?
The 1960 adaptation of Patricia Highsmith’s novel was already so revered, was Anthony Minghella wise to try a new version?
With Steve McQueen in the title role, a legendary car-chase and a score by Lalo Schifrin, Peter Yates’ Bullitt still oozes as much cool now as it did in 1968.
The studios didn’t like the script and no one wanted to play the heroic Treasury Agent, Eliot Ness. So how did The Untouchables turn out to be such a success?
When is a remake not a remake? When is a re-imagining not a reboot? And most pertinent, when are any of them ever any good?
007 is more than just dry martinis, guns, gadgets and product placement. His best contribution to cinema is the Set-Piece.
Originally, surrealism set out to shock. But it has become such a normal element in cinema, has it lost its original power?
Half a century old, how well is John Frankenheimer’s adaptation of Richard Condon’s best-selling conspiracy thriller holding up?
Alfred Hitchcock was not the only person who could adapt Daphne Du Maurier’s work to the screen. In fact, you could argue Nicolas Roeg did it best.
Edith Head was one of cinema’s greatest costume designers. Here we discuss her work and explore the relationship between fashion and film.
The first trailer dates from 1912 and ever since then, they have been carefully refined to make sure that they attract the right audience.
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