The Gordon Willis Frame
Gordon Willis was one of cinema’s greatest artists. Regardless of genre, his style and technique were so singular he should be regarded as a cinematrograph-auteur.
Gordon Willis was one of cinema’s greatest artists. Regardless of genre, his style and technique were so singular he should be regarded as a cinematrograph-auteur.
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
How can Howard Hawks’ adaptation of Raymond Chandler’s labyrinthine detective novel be heralded as a classic when it is impossible to follow?
Tootsie tackled 1980s’ chauvanism by disguising a man as a woman. Hilarious as it was, the tradition can be traced as far back as Homer’s Illiad.
The original Scarface was released in 1932. In 1983, Brian De Palma directed Al Pacino in an update scripted by Oliver Stone. Are ‘remakes’ always bad?
Quentin Tarantino exploded onto the screen 20 years ago and in the time since, he has had but one crucial collaborator; his editor Sally Menke.
John Boorman’s first film in America brought a very distinctive and European look to the hardened Hollywood gangster genre.
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