The Godfather Trilogy
Adapting Mario Puzo’s best-selling novel, Francis Ford Coppola drew up several themes lying dormant within its pages and augmented them in a uniquely cinematic fashion to create a masterful saga.
Adapting Mario Puzo’s best-selling novel, Francis Ford Coppola drew up several themes lying dormant within its pages and augmented them in a uniquely cinematic fashion to create a masterful saga.
This short video-essay compares various themes and techniques that Alfred Hitchcock developed over his career. With 40 titles, it includes every feature film Hitchcock made from 1934 through to his retirement in 1976.
Puzzling audiences ever since it premiered at Cannes in 2001, David Lynch’s dark masterpiece seems to address the abuse of women in the film industry.
Almost seventy years young, this masterpiece offers up for our modern age unexpected and pertinent meaning.
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
In Carl Theodor Dreyer’s silent masterpiece, the story isn’t so much told through the Saint’s eyes as it is read on her face.
This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.
If small details are the important, this is really about a woman’s quest for significance and a man’s need for a make-over.
This short video-essay position Ingmar Bergman’s Persona in terms of what came after it and what went before. It shows how Bergman visualised his central theme of identity.
Many great auteurs use similar styles to explore similar themes as lesser filmmakers. The only real difference is that great auteurs are more consistent and precise.
Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.
While Cormac McCarthy’s acclaimed novel broke genre convention, the Coens’ adaptation is a study in audiovisual chaos.
Regarded as the greatest gangster picture of them all, the passing years continue to reveal new layers and meanings in Francis Ford Coppola’s masterpiece.
Often called the greatest thriller Hitchcock never made, Les Diaboliques is based on a book written to catch the attention of the Master of Suspense.
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
We are told we watch horror films because they offer a vicariously thrilling, and thus safe experience. I don’t believe that. I believe horror films are instructive.
This film lasts seventeen minutes, features mutilation, insects and dismemberment. Yet it is one of the most influential ever made.
Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.
Is Hitchcock’s Vertigo really the greatest film ever made? Certainly, it is a compilation of his many themes and tropes, as well as a critique on cinema itself.
What makes for a great opening? Character? Conflict? Poetry? Hopefully, more than something we’re supposed to just look at.
Orson Welles is often referred to as a glistening talent who wasted his early promise. Touch of Evil, the last film he made in America, proves otherwise.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
In a career that spanned over sixty years, forty films and a dozen masterpieces, Persona is the most unusual film in Ingmar Bergman’s canon.
Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?
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